GIANFRANCO  URSO
 (1) (2) (3)

"Pubblicità Progresso" (Tecnica mista su sabbia) cm 100x50

"Come gli occidentalisti affrontamo il problema della fame nel mondo" (Tecnica mista su tela) cm 100x50

 "Come gli occidentalisti affrontano la questione del popolo     palestinese" (Tecnica mista su sabbia) cm 100x50

BOOK REVIEWS

"... The painting of Urso is inter-social class and inter-generational, it withers, it has a good time, dismayed and it clears. And' an invitation to live, to build. And' desire to howl her own existence. And' a visible, palpable, hostile and conciliatory color, pregnant of histories of real and fantastic life... "

                                                           (  Pietro Guastamacchia )

"... To speak of the painting of Gianfranco Urso, needs to have well the mind it clears away from cinders pregresse. (...) The painting of Urso has entered for a long time among the considerations of the true art. To this point, many would ask him because, others, those that they know how to play, but they don't know how to move, those that are in the limbo, would rebel even him as if for dictated divine, they had to be the only chosens. But to say that a music is music it is owed by chance her to compare with another music? And if this is not true, to say that a painting is painting, it is had to compare it with another better painting? And which should the good painting be? That of Giotto, that of Raffaello, or of Mantegna, of Picasso or perhaps also that of Fool or of Little ball? Me all the paintings of this world that it goes, would personally, compare then her to those of Gianfranco Urso to see, that they are good or bad. But which good? Which bad? The important thing is to do something with the heart: it has already been everything invented, perhaps for the next 4000 years. To me it seems, then, that Gianfranco has heart to sell and technical ability to be given. It romantically includes and surprisingly incontestable truth and it moves Great and tiny, intending for great those that believe of to be something and for tiny those that will become never great for wish of the good man. (...) The painting of Urso is sociological and the sociology, for me it is the only motive of this noble Art. (Eraldo Barra)

(1) (2) (3)

(material documents them)

(materiale documentale)

"Africa" (Tecnica mista su sabbia) cm 120x100

  "Novansessantotto" (Olio-acrilico) cm120x100

""Composizione"1 (Tecnica mista su sabbia) 50x60

"Fusione" (Tecnica mista su sabbia) cm 50x55